By M. Gardiner
This vigorous research presents an account of the 'fall and upward push' of the English kingdom in the British self-discipline of English Literature among the overdue eighteenth century and the current day, delivering a reconceptualisation of the connection among English Literature and the formation of English cultural identification.
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Example text
Craig 2009). This helps contextualise English Literature’s antagonistic stance towards England as a civic community: English had been a standardised set of assumptions depersonalised and exported for specific ends, but England was a set of places conjoined by personal relationships. And despite their place in the literary memory, these fictiontravelogues were typically not simply anti-modern (especially not when they came from declared socialists like Cyril Joad and George Orwell) – but they did often attack the instrumentalisation of relationships which came under the sign of the modern (cf.
In English Country (1934), Massingham had called for a pan-English ‘League of Counties’ to counter this, local but ‘self-governing enough to keep out of the old feudal fetters’ (Massingham 1934: 71). In The Tree of Life, the suburban classes are already all but lost to instrumental thinking and isolating patterns of behaviour, and the possible rise of the power state (Massingham 1943: 140, 174, 175). So, far from being a nativist celebration of power, the book is indeed introduced as an English defence against Nazism (1943: xiv).
The land must be available to be commonly touched and jointly owned – the question of the reversal of the enclosures which would rise during the Second English Question, at the height of the uneasy asymmetrical state in the 2000s, as house prices were used to back a shaky debt-fuelled British economy. In The Invention of the Countryside (2001), Donna Landry relates the debate between the Second English Question-era ‘Countryside Alliance’ and a polity committed to an estranging economy still attempting to link ‘English’ franchise to landedness.
