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White Roses on the Floor of Heaven: Mormon Women's Popular by Susanna Morrill

By Susanna Morrill

First released in 2006. Routledge is an imprint of Taylor & Francis, an informa corporation.

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Extra resources for White Roses on the Floor of Heaven: Mormon Women's Popular Theology, 1880-1920 (Religion in History, Society and Culture)

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75 Even today this tension remains and is perhaps even more obvious with the high concentration of non-Mormons in the Salt Lake Valley as compared with the almost solidly Mormon, conservative population in other parts of Utah. For the most part, the local level of leadership and membership had a great deal of respect for the centralized hierarchy of the Relief Society, and supported the vision and policies of that hierarchy. But they also had an underlying, or intermittent feeling of resentment for the seeming presumption on the part of this privileged leadership and, more generally, for the perceived advantages, education, and snobbery of women from Salt Lake City.

Another helpful stopping place on the journey within the mainstream “language of flowers” is made in the work of the sister girl poets, Elaine and Dora Read Goodale. The many poems they wrote as preteens are almost totally concerned with describing and explicating nature, and one book, In Berkshire with the Wild Flowers, is wholly dedicated to poems about various kinds of wild flowers. Though not specifically “language of flowers” dictionaries, the Goodales’ work stands as an example of the still nature- and flowercentered, yet more diffuse and poetry-focused version of the genre.

For these members who cared enough to express their thoughts and motivations on paper, this was one of the central understandings, was perhaps the most important foundational supports of the LDS system of beliefs and practices. It overrode any internal conflicts and fissures within the community. LDS men and women continually expressed this understanding in talks, writings, and thoughts. Significantly, flower and nature symbolism was often used as a vehicle for expressing and adulating this view.

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