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The Fire and the Tale by Giorgio Agamben

By Giorgio Agamben

Il fuoco e il racconto, Rome: Nottetempo, 2014.
trans.
the hearth and the story, trans. Lorenzo Chiesa, Stanford, California: Stanford UP, 2017, ARG. (English)

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Sample text

In an important book, Simondon wrote that man is, as it were, a two-­phase being, which results from the dialectic between a non-­individuated part and an individual and personal part. The pre-­individual is not a chronological past that, at a certain point, is realized and resolved in the individual: it coexists with it and remains irreducible to it. In this perspective, it is possible to think the act of creation as a complicated dialectic between an impersonal element that precedes and overcomes the individual subject and a personal element that obstinately resists it.

The potentiality-­not-­to is not another potentiality juxtaposed to the potentiality-­to-­: it is its inoperativity, what results from the deactivation of the schema potentiality/actuality. In other words, there is an essential link between the potentiality-­not-­to and inoperativity. Like Josephine, who, thanks to her inability to sing, exposes the whistle all mice are able to emit, which is, in this way, “set free from the fetters of daily life” and shown in its “true essence,” the potentiality-­not-­to, suspending the passage to the act, renders potentiality inoperative and exposes it as such.

Or [shall we say that] the carpenter and the tanner have a function and activity, and man [as such] has none? Is he born without a work [argos, “inoperative”]? In this context, ergon does not simply mean “work,” but rather defines the energeia, the activity or being-­ in-­act specific to man. In the same sense, Plato already wondered about what the ergon, the specific activity, was—­for instance, that of the horse. The question about the work or absence of work of man has therefore a decisive strategic value, since what depends on it is not only the possibility of assigning a specific nature or essence to man, but also, from Aristotle’s stance, that of defining his happiness and hence his politics.

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