By Dr. David Ciccoricco
The wedding of narrative and the pc dates again to the Eighties, with the hypertext experiments of luminaries corresponding to Judy Malloy and Michael Joyce. What has been variously referred to as "hypertext fiction," "literary hypertext," and "hyperfiction" has without doubt surrendered any declare to newness within the twenty first century. David Ciccoricco establishes the class of "network fiction" as distinguishable from other kinds of hypertext and cybertext: community fictions are narrative texts in digitally networked environments that utilize hypertext expertise on the way to create emergent and recombinant narratives. notwithstanding they either pre-date and post-date the area broad internet, they percentage with it a classy force that exploits the networking capability of electronic composition and foregrounds notions of narrative recurrence and return. Ciccoricco analyzes cutting edge advancements in community fiction from first-generation writers Michael Joyce (Twilight, a symphony, 1997) and Stuart Moulthrop (Victory backyard, 1991) via Judd Morrissey’s The Jew's Daughter (2000), an acclaimed instance of electronic literature in its latter instantiations on the net. every one research demonstrates not just what the electronic atmosphere may suggest for narrative idea but additionally the power of community fictions to maintain a method of studying that would, arguably, be known as "literary." The circulate within the arts clear of illustration and towards simulation, clear of the dynamics of interpreting and interpretation and towards the dynamics of interplay and play, has certainly ended in exaggerated or alarmist claims of the endangerment of the literary arts. whilst, a few have easily doubted that the conceptual and discursive intricacy of print fiction can migrate to new media. opposed to those claims, interpreting community Fiction attests to the verbal complexity and conceptual intensity of a physique of writing created for the outside of the display.
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Extra info for Reading Network Fiction
Example text
In its emphasis on the machinic functioning of the text, cybertext theory stops short of identifying the aesthetic implications of an exchange across or between functions. With regard to narrative poetics in particular, the dynamics of repetition underscore the ways in which active links must be considered as integral not only to the technological and material constitution of the text but to its formal and semantic constitution as well. Network fictions radically foreground repetition. Recursion, reflexivity, and refrain are all specific modes of repetition that are manifest in literary works.
The repetition of such textual elements can occur in varied ways, with anything from a few or a few hundred nodes in between recurrences. In “Nonce upon Some Times: Re-reading Hypertext Fiction,” a chapter of his Othermindedness, Joyce (2000) uses a simple chronological story sequence in four parts to demonstrate more specific forms of narrative return and their effects: “[1] Two people meet. [2] They fall in love. [3] They quarrel and part. [4] They reconcile” (134). He supposes that from the fourth part, a link returns us to the second.
I do not think they ever take these garments off, let alone bathe. I am beginning to be able to distinguish individuals with my eyes closed, by their scent. ” But a subsequent reading of Aric’s node, which readers can return to through a series of bifurcations, can bring the detail back into consciousness in light of the Historian’s note. Even though there is no knowledge or mention of the cave dwellers in Aric’s present, the detail of the cave’s stench allows the reader to see what Aric cannot and, in turn, establish an association between the cave dwellers (who, it becomes clear, may be more than the stuff of distant myth), the Good Doctor, and quite possibly the murder.
