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Painting Wargaming Figures by Javier Gomez Valero

By Javier Gomez Valero

Javier Gomez, a hugely gifted determine painter of lengthy event and ideal popularity, stocks the secrets and techniques of his luck during this available 'how-to' advisor to portray miniatures. he's taking the reader step by step during the complete strategy, from selection of fabrics (unlike different on hand courses it isn't associated with any particular determine producer) and education of the miniatures to basing or even recommendation on photographing the completed merchandise. strategies comparable to dry-brushing, ink-washing, shading and highlighting are all defined essentially with the aid of step by step pictures and colour charts. particular case stories take on quite a few helpful topics throughout all sessions, akin to blending reasonable flesh tones for various races; portray horses; weapons and limbers; Medieval heraldry; Napoleonic uniforms; WW2 and smooth camouflage styles. Javier additionally basically explains how those ideas and procedures will be utilized to the entire significant wargaming scales, from 40mm right down to 6mm. no matter what ancient interval (or Sci-fi/Fantasy) and no matter what scale the reader is attracted to, this e-book is a useful resource of sensible suggestion and idea.

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Since acrylics become fairly waterproof when they dry, we won’t have any problems mixing new paint on top of older dry paint. Modelling Tools At the minimum we should have modelling knives, a hand drill with different sized bits and some files. Also it will be useful to have tweezers, pliers and scissors easily to hand. PAINTING SPACE I know that not everyone has the opportunity to have a permanent painting space. In my early years I had to wander around carrying all my stuff from one place to the other (from one room to the kitchen, from the kitchen to another room, like a paint nomad).

I recognize that this has its advantages, especially for painters of huge armies or people with a limited time whose priority is speed, but I still like to mix my own paints. Call me a romantic, but I honestly think that painting is much more than giving accurate brushstrokes. It’s all about colours: to choose the proper colours, to mix them to a correct shade, to add different paints to obtain highlight effects. At the risk of sounding old-fashioned, I still prefer the old way rather than the faster, standardized new system of three-shade packaging.

Sadly, it’s not always so simple! What about painting horses, for example, where the painting surface is larger and plainer? As a general rule larger painting areas would demand more highlights, and plainer surfaces would require fewer highlights (Figure 9). As before, paint from the inside to the outside and from darker to lighter, but learning where to paint the brushstrokes isn’t as easy to get right. Painting experience and common sense are our best allies. (Figure 9) (Figure 10) Lining This technique is exactly the opposite of highlighting as the concept is to paint from the outside to the inside and from lighter to darker.

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