By Carolyn Burdett (auth.)
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Additional info for Olive Schreiner and the Progress of Feminism: Evolution, Gender, Empire
Sample text
The children are literally and symbolically orphaned, their fatherlessness signalling the final loss of God on the African farm. Panic and emptiness Part I of African Farm ends with Bonaparte’s departure, begrimed by fatty pickle-water, and bruised by the leg of mutton hurled at him by an enraged Tant’ Sannie, who, believing him to be her devoted suitor, overhears him wooing Trana, Sannie’s bemused, wealthy young niece. Despite the fact that Part I ends confirming that ‘from that night the footstep of Bonaparte Blenkins was heard no more at the old farm’ (133), its conclusion is still uncompromisingly bleak.
He interrupts Lyndall’s imaginative reconstruction of Napoleon Bonaparte’s imperial ambition with the much closer-to-home account of colonization told in the ‘Bushman’ paintings which decorate the rock against which the girls are sitting. For Waldo, the ‘glorious’ tale of European expansion Lyndall is telling is blind to the suffering wrought by colonization, just as the girls fail to see the evidence of the inglorious destruction of the life and culture of the Cape’s indigenous population which is literally under their noses.
Portentous voices warned of dire consequences if women abandoned their domestic and properly female lives. 3 But many women – including Schreiner – saw in the new languages of evolutionary science a means of both understanding and achieving their aims. As I have already noted, despite the fact that science was supposed to deliver certainties never before accessible to an ignorant and superstitious humanity, scientific knowledge was rarely certain, fixed or monolithic. It was instead fiercely contested and open to extraordinarily varied interpretations and uses.
