By Karl Christian Fuhrer, Corey Ross
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Extra info for Mass Media, Culture and Society in Twentieth-Century Germany (New Perspectives in German Studies)
Sample text
Schär, Der Schlager und seine Tänze im Deutschland der 20er Jahre: Sozialgeschichtliche Aspekte zum Wandel in der Musik- und Tanzkultur während der Weimarer Republik (Zurich, 1991); K. Wolffram, Tanzdielen und Vergnügungspaläste: Berliner Nachtleben in den dreissiger und vierziger Jahren (Berlin, 1992). On popular music see P. Wicke, Von Mozart zu Madonna: Eine Kulturgeschichte der Popmusik (Leipzig, 1998), pp. 98–9; S. ), Ich will aber gerade vom Leben singen … Über populäre Musik vom ausgehenden 19.
26 In 1907, 63 per cent of recordings were of opera, chamber music and symphonies: Wicke, Mozart, p. 98. The launch of the long-play record (14 minutes per side) in 1931 did little to solve this problem in the short or medium term as the players for such records remained unaffordable to all but most well-off: Riess, Weltgeschichte, p. 243. 27 E. Jolowicz, Der Rundfunk: Eine psychologische Untersuchung (Berlin, 1932), p. 14. Entertainment, Technology and Tradition 41 28 Schär, Schlager, pp. 43–5; L.
Some noteworthy titles are also cited further below in the section ‘The book and its contents’. 20 Karl Christian Führer & Corey Ross 4 For recent examples, see P. ), Im Banne der Metropolen: Berlin und London in den zwanziger Jahren (Göttingen, 1993); A. Kaes, M. Jay & E. Dimendberg (eds), The Weimar Republic Sourcebook (Berkeley, 1994); C. Haxthausen & H. Suhr (eds), Berlin: Culture and Metropolis (Minneapolis, 1990); T. Kniesche & S. Brockmann (eds), Dancing on the Volcano: Essays on the Culture of the Weimar Republic (Columbia, 1994); M.
