By Andreas Hohenstein, Karl Wilbers (Hrsg.)
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After a discussion of some of the errors in F, he concludes that ‘Il est … probable 86 Burnet and Dodds do not distinguish between the two types of corrections, wrongly, at least for the Ion. g. Bluck for the Meno. g. , Men. , ‘… the assumption that there is only one later hand is untenable’ (101). For the Hippias Minor Vancamp (1996a: 28 n. 7) distinguishes between corrections that are ‘relativement anciennes’ and later corrections. In the Ion I take it that there are, besides the scribe of F himself, at least two other correctors, one of them by and large being responsible for the many corrections supra lineam, and the other, a later hand, for the corrections in margine; in both cases the source of the corrections was probably a MS from the T W family (just as, incidentally, in the case op Spc).
All very bad …” (The Complete Notebooks, ed. by L. H. Powers, New Yord/Oxford 1987, 30). 54 The titles being: 1. Pasenow oder Die Romantik, 2. Esch oder Die Anarchie, 3. Huguenau oder Die Sachlichkeit. Also without ‘or’, as in Flaubert’s Madame Bovary: Mœurs de province, or Thomas Mann’s Buddenbrooks: Verfall einer Familie. 22 INTRODUCTION There is, however, still another problem connected with the double titles, viz. 55 Is there a sense in which the Ion can be said to be περὶ Ἰλιάδος? 56 Stephanus, too, apparently had some misgivings, for although he printed ἢ περὶ Ἰλιάδος, he added two further alternatives, viz.
31 sed de amicitia alio libro dictum est, qui inscribitur Laelius. On this passage Rose comments: ‘This, then was his own title for it’ (Rose 1954: 192; I found no information on the double titles in more recent handbooks). This may be true, but does not exclude the possibility that de amicitia was also used by Cicero. Cp. also Att. 4, from which it is clear that choosing the right title was among the topics discussed by Cicero and Atticus. Columella, too, did not take the question of the title lightly; cp.
