By Noritake Tsuda, Patricia Graham Ph.D.
A background of eastern Artt bargains readers a entire view of eastern paintings via jap eyes—a view that's the such a lot revealing of all views. even as, it offers readers with a advisor to the areas in Japan the place the simplest and such a lot consultant creations of jap artwork are to be visible
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Additional info for A history of Japanese art : from prehistory to the Taisho period
137 72. 138 73. 140 74. 141 75. 143 76. 144 77. 144 78. 145 79. 145 80. 146 81. 148 82. 149 83. 150 84. 151 85. 151 86. 152 87. 153 88. 154 89. 156 90. 157 91. 162 92. 163 93. 164 94. 165 95. 166 96. 167 97. 168 98. 169 99. 172 102. 206 125. 210 128. Detail of Fig. 128........................... Mt. Mt. Daibutsu . 325 217. Detail of the Fig. Main Hall . 354 243. 359 246. Sambō-in Garden (I) . 396 286. Octagonal Bronze Lantern . Detail of the Angel (Fig. Hokke-dō . Detail of Fig. 309...........................
Fig. 22) They are all pierced and the details are chiseled with hair lines. The figures and scrolls are grouped harmoniously, showing wonderful gracefulness of curvature, through which the faithful may commune with the Buddha in Heaven. These gilt bronze banners are now in the Tokyo Imperial Household Museum. The pierced metal fitting of the Tamamushi shrine of the Kondo is much finer and more delicate; and it is more decorative in design, although the technique is the same as that of the gilded banners.
Edwin Lowe Neville, the counselor of the American Embassy at Tokyo, and Mr. Saisaburo Nishiwaki, proprietor of the Nishiwaki Bank. The waiting place comprised only two small rooms, one with four and the other, two mats. On the desk ledge of the larger room was placed a gold lacquer ink-stone box of the Kamakura Period for our appreciation. Meanwhile the elderly Baron Masuda appeared at the entrance of the waiting place and announced that the tearoom was ready. He said nothing more but immediately retired.